Sampling of Signs of Struggle

As vaguely suggested in a previous post, I'm following through with posting the prologue to my novel, Signs of Struggle. I hope you enjoy it so much, you can't wait to read more. And, to that desire, ta-da!, I'm going to post the first chapter a few days down the road. Look for it. My publisher is working with me and my family on a cover this week, which should be done soon. I got feedback from my wife and both daughters, so that's a joy, especially since they're all smart and beautiful. I'll make the cover available to you as soon as we reach a decision.

I should have the "minor" suggestions for revision this week, which I will attend to immediately, then I'll send those back. I hope to have a date of publication soon. We're still looking at sometime this autumn.

In the meantime, here's hoping this prologue hooks you. In a pleasant way, of course.

Prologue

 "Thus a dark hue moves ahead of a flame over a sheet of paper, as the whiteness dies away before it becomes black."

- Dante's Inferno, Canto XXV

         Karen O'Shea and her daughters expected a good time in Atlanta. They were excited about going Christmas shopping that Saturday morning.

        Waiting for the girls to come downstairs, Karen fixed herself a cup of Earl Grey tea. It smelled good. She blew lightly across the surface, took a sip, and gazed out at the bird feeder beyond the kitchen’s bay window. The tea warmed her chest.

        A brown thrasher scrounged for seeds below the feeder. Karen studied the bird. Brown thrashers are beautiful if you looked closely. Rows of brown specks flung across a white breast, rich chocolate feathering with white wing bars. Sharp, pointed beak. Karen had identified thirty-one birds on her Peterson Field Guides Eastern Birds checklist. “Thirty-two,” her husband, Thomas, had said, “if you count me, a common loon.” She smiled at the memory.

        She gazed beyond the fence behind the house, the branches of the maple trees stark and bare. A sudden gust of wind shook loose three bits of color; red, yellow, and orange leaves, last remnants of a spectacular autumn. The leaves drifted to the ground.

        Karen set down her tea and took an onion bagel out of the freezer, nuked it, pried it open and spread cream cheese on the steaming halves.

        Michelle came into the kitchen first, an eighth grader with dark good looks and a flashy smile. Effervescent and energetic, she looked forward to the crowd and the crush of the mall in Atlanta. She headed for the cupboard, pulled out a box of Fruit Loops, and dumped the cereal into a big bowl. "If I keep eating stuff with lots of preservatives, I'll live forever," she said.

        Gotcha, the family's brindle and white English Bulldog, rumbled into the room, sat in front of Michelle, and looked up. 

        No bites for you, Gotcha," she said. "This is my breakfast. You're doomed to failure if you expect me to feel sorry for you. I have a cold heart, pupper."

        The Bulldog tried to look underfed. She stared at Michelle until a handful of colorful bits of cereal fell to the floor mat. Michelle sat down at the small table by the bay window and poured milk over her cereal. Gotcha ate the Loops, snorting and slurping. A thin smear of slobber remained where the cereal had once been.

        Annie came into the kitchen. Tall, blonde, and lean like her mother, Annie strode to the cupboard and pulled out a box of Life cereal, read the label to be sure, and took the bowl over to the table. Karen grabbed her bagel and tea and sat down with the girls. Annie had started in on her cereal.

        "Michelle’s up front on the way in and I'm shotgun coming home," Annie said. “That way, I'll be able to keep mom company so she won't fall asleep at the wheel and kill us all," she continued, winking at her sister. Mom took the bait.

        “I have never, ever fallen asleep at the wheel,” Karen said. “I don’t even get drowsy." The girls made eye contact with each other and grinned. Mom was half right.

        They finished breakfast, aired Gotcha, and left the house. They drove through town and onto I-75 North.

        "Where’d Dad say he was going today?" Annie asked. "Albany?"

        "Augusta," Karen said. "He's got to tell a potential client there's no deal."

        Michelle said, “Why can't he just give the guy a call?"

        "Your dad likes the man. He didn't want to tell him over the phone."

         "Speaking of dad," Michelle said, "let's not forget to bring him something to eat."

        "Such as?" Karen asked.

        Michelle said, “How ‘bout jelly beans? He inhales Jelly Bellies.

        "He'd flip out," Annie replied.

        It was cold for early December, and the sky was dark and slate gray, even darker north of them. "Looks like we might have some weather ahead of us," Karen said, "but I'm sure we can drive through it."

       They passed Macon. Annie read a book. Michelle and Karen talked about Michelle’s friends. The O'Shea's left Macon and McDonough behind, quickly approaching Atlanta.

         A semi-trailer truck, southbound on I-75, was drawing closer as the O’Shea’s Highlander approached Atlanta. Ricky Damon, behind the wheel for twenty-one hours straight, was sleepy. He had drunk three cold beers, the third one to cool his throat after the joint he’d sucked in half an hour before. Now, he was sleepy again. His eyelids drooped. The beer slipped from his right hand and fell to the floor of the cab, waking him. Ricky saw his truck drifting left from the fast lane. Someone had abandoned a Mazda Miata and he was going to hit it.  A curse burst from his lips. The small car served to launch the truck over the low concrete median divider and into the northbound traffic.

        The eighteen-wheeler flopped down on the O’Shea’s Highlander like a blind spaceship, its hot underbelly pinning the SUV and disintegrating the family, their beauty broken and crushed in a bloody bed of safety glass chips and razor-sharp metal, diesel fuel, and grease. Then it all hissed and exploded in towering flames with thick black smoke curling upward into the heavens.

            Thomas O'Shea stopped by the Thrifty Flower Shop on the way home from Augusta and purchased red roses for his wife and daisies for the girls. He would be home first, and it would be fun to have the flowers waiting for his family.

            When he pulled into his driveway, the Georgia Highway Patrol was waiting.

Stand up! Sit Down! Drive, drive, drive!

I have not forgotten you, dear readers. I just spent the last week polishing the entire Signs of Struggle novel that will be coming out in the autumn. Over three hundred pages. Nothing major, really, but some minor, yet needed, touches. For example, I didn't close quotes in a piece of dialogue. Sometimes I write so fast I just skim along, oblivious to the mechanics needed to prevent confusion and frustration in the reader. Further, there's one scene when the Bulldog, Gotcha, sits down twice without standing up in betweeen. Hard to do. Also, I made a minor change in the protagonist, Thomas. Instead of a sorrowing ex-Special Forces guy who stumbles onto a murder in rural Iowa, I've tweaked the character just a smidge (as we say here in the South). He is now a cross-dressing proprieter of a used mattress/second hand catheter store in Charleston, where no one will notice. He falls in love with a French-Tunisian dwarf female podiatrist on the run from the Mossad, but she stomps his heart flat.

Other than that, no changes.

In any case, my long-suffering wife and I are taking off in the morning for several days, headed back to the Midwest (mainly Iowa and Oklahoma) to see some of my old high school friends in Clinton, then on to Bixby to see family. We will do our best to avoid tornados, but if we see one, I'm gonna chase it. Warped, I tell 'ya.

In the near future, I will be reporting on my travels to those worldly fleshpots in the heartland and, soon after that, I'll post a few pages of Signs of Struggle so you can get a taste.

Thanks for reading curlylarryandme. Let me know what you think. You are appreciated. Truly.

Synopsis of Signs of Struggle

Writing is hard, at least it is for me. The first piece I ever sold was to Reader's Digest a long, long time ago. It was an article about how, as young boys, my friends and I tried to sneak baseballs from my home town's minor league games to use for our own games. The piece was called "Shagger!" and it won a First Person Award. It also produced a check for a princely sum, even by today's standards. My wife, Lisa, and I celebrated by dining in a fine restaurant in Iowa City within walking distance of our upstairs apartment on Church Street. The place was called "Magoo's" and it had no windows and the outside was painted orange. Rumor was the owner had murdered his wife. It was a classy joint, and we dined on pizza, popcorn, and a pitcher of beer. It occurred to me that all I had to do to be a successful writer was to write something, send it off, then wait for the check to show up in the mailbox. Several rejections later from the fine folks at RD disabused me of that pipe dream. Anyway, dear readers, I promised you a synopsis of my first commercial, mainsteam novel, Signs of Struggle, so here it is.

Thomas O'Shea just wants to be left alone after his wife and two daughters are killed in a fiery wreck coming home from Christmas shopping in Atlanta. At first, he toys with suicide, then tries to get on with his life in Belue, Georgia. But it doesn't work. Too many painful reminders of his lost family. So, after eighteen months, he sells his business, house and lake house, ski boat and Porsche. Then he gets in his pickup truck with Gotcha, the family's English Bulldog, and drives straight through to his home state of Iowa to heal, to regroup, to live again.

Meandering through the countryside one May morning, he is nearly run off the gravel road by a speeding, skidding Corvette. Shortly after, he sees a beautiful, bloodied, screaming woman sprinting down the lane from her farmhouse. He tries to ignore her. He has his own issues, after all. But he stops to help and she leads him to her dead husband, victim of a farm accident. But Thomas wonders if it really is an accident, especially after he finds out that the owner of the Corvette is the dead man's "evil" brother. What was the bad brother doing so near the accident scene? Why was he speeding away? Thomas begins nosing around, being a bit of a pest and a smartass. He keeps asking questions and tough people keep trying to discourage him. His nebulous Special Forces background proves useful as he tries to get to the bottom of the farmer's death. In the course of his quest, he meets an array of colorful characters such as Lunatic Mooning, the laconic Ojibwa Indian owner/bartender of The Grain o' Truth Bar & Grill. He also runs into the lucious Liv Olson, divorced English teacher at the local high school.

Thomas uncovers multiple murders, sexual depravity, suicide, and the core of the corruption, a $32 million fraudulent land scheme. During the course of his story, Thomas struggles with his faith, his gravitation to alcohol, and a long-dormant tendency to enjoy violence.